Concept, production and channel-ready assets

Photo and video production planned around where every asset must work.

We begin with the pages, advertisements and channel formats that need material. That turns the concept, schedule and shot list into a production plan with fewer missing crops and fewer unusable files.

Shoot planTuesday: 18 assets
Ready to shoot
Hero film2 edits: 16:9 and 9:16
Shot list ready
Portrait set12 frames: 3 scenes
Lighting set
Social clips4 cuts with captions
Edit queue
Who this is for

For teams tired of searching a full asset folder for the one usable frame.

A production is more efficient when the intended placements, people, permissions and technical formats are known before the shoot day.

  • The current image library does not cover priority pages, offers or campaign formats.

  • Teams request new crops and short edits after every campaign has already started.

  • Brand, product and people need to look consistent across several customer touchpoints.

  • Locations, participants, approvals and delivery formats need one accountable plan.

One connected system

Design the asset list before the shoot day.

We work backwards from approved placements. The result is a production brief that tells the crew what must be captured and tells the marketing team what will be delivered.

Camera operator preparing a marketing photo and video production

Placement and format map

List the pages, advertisements and channels that need material, including orientation, duration and crop requirements.

Concept and visual direction

Translate the brand and campaign message into a coherent approach that the people on set can follow.

Production planning

Coordinate shot list, locations, participants, schedule, equipment and approval responsibilities before capture.

Photography and filming

Capture the agreed scenes with enough variation for the intended placements and editorial choices.

Selection and editing

Review, select and edit against the approved story, technical specification and feedback path.

Asset organization

Deliver named, organized exports so teams can identify the right version without opening every file.

How we work

A production schedule tied to an asset schedule.

The plan connects what must happen on location with what marketing needs to receive afterward, including review rounds and technical exports.

Define usage and outputs

Agree on placements, audience, message, required formats, review owners and any usage or permission requirements included in scope.

Plan and capture

Create the concept and shot list, confirm logistics and capture the agreed scenes with the required variants.

Select, edit and deliver

Route the planned review rounds, finalize the approved edits and deliver organized exports for each agreed use.

What you receive

Assets prepared for their intended use

The final package follows the agreed placement and format map, so the team knows which file belongs in which context.

  • Creative concept and visual direction
  • Placement, format and shot map
  • Production schedule and call details
  • Photography and video capture
  • Curated image selection
  • Edited master videos
  • Agreed crops, durations and channel exports
  • Organized delivery library and file guide
Frequently asked questions

Production details to agree before the cameras arrive

Locations, participants, rights and output formats can change the production substantially. We confirm them in the brief instead of treating them as shoot-day details.

What do you need from us before planning the shoot?

We need the intended placements, priority message, brand references, available locations and participants, internal approval owner and any fixed campaign dates. We turn those inputs into a proposed concept and output list.

Can one production cover website, advertising and social formats?

Yes, when those requirements are planned before capture. The shot list should account for horizontal, vertical and cropped compositions, plus the duration and safe areas required by the selected channels.

Who arranges locations, participants and permissions?

Responsibilities are defined in the production scope. We document who secures each location, participant approval and any required release or usage permission before the shoot.

Are raw files and usage rights included?

File delivery, project files and usage terms are agreed explicitly because they vary by production. The proposal states which masters, exports and rights are included rather than leaving that decision until handoff.